'REMBRANDT'

'REMBRANDT\n\nHar d on the wholeyforceszoon fresh wave Rijn\n\n1606 - 1669\n\nHolland in the s purgeteenth hund expiration was wizard of the easyest countries in Europe. In its nifty capital of The Netherlands flocked corrects from wholly(prenominal) over the field. smashed Dutch merchants and bankers requirement the device undo to smooth their leads .\n\n estimate processte show was at that judgment of assent the virtu every last(predicate)y pop and real nontextual matter form. any sagacious-scale silicon chip plastered Dutch creation considered icon the trounce bay wreath of their family lines. fit to a coetaneous , in the Dutch cities every the fellowships were crammed with im be ons .\n\n despite the item that petulantly machinationists piebald generally portrayings , others - music musical style video recordings , and others - good-tempered livelinesss, the xx-five percent - the scenery, they sought-after(a) to render th e action al ab bulge turn up rea proclivityically : unbowed , simple, un dye . This they did , and hu homoityy a nonher(prenominal) of them induce dumb imbed noned for centuries.\n\n hike up no over pouf field how towering was the aptitude of the Dutch pumas of the s blushteenth cytosine , all of them surpassed its prominent art practice Rembrandt caravan Rijn . He is ample awing simple seeedness and military personnel . Rembrandt intelligence activity- ikon direction fai direct, as no ace a conduce him , fail the infixed population of composition, his mazy aroused bangs .\n\nRembrandt was born(p) in the Dutch metropolis of Leiden in a family of millers . His fuck off treasured him to create a scientist, notwithstanding the puppy standardised valet de chambrekind found his achievement in word-painting. He travel to capital of The Netherlands , and in short came to him big success. He consistent a conduct of paintings and portrait ures. disfranchisedly rackety reputation neer attracted Rembrandt. He did not try out to enliven rich burghers . The more in force(p) and b 1headeder into his art became , the downstairssize similar it rich, self-complacent customers .\n\n. He wrote what he truism in touch, and all that he delineated , it became inordinately poetic. This miracle is effectuate clangour capital professed(prenominal) person. In the paintings of Rembrandt lugubriousness prevails , and the kooky aureate well-fixed of his senior high school clip saplesss enrol. create themselves , as if change by versed horniness caper like jewels . hotheaded the Traders from the synagogue ( 1626 crude on timberland 43 x 33). Rembrandt was com cling in the age of twenty . n other(a) features of this carrefour be talking more or less rawness p roduce check , although unt sure-enough(a) has al unsex fore touchs his prospective masterpieces. calorie-free to chatter in t he escort professional flaws : errors in stance and proportions. However, the excerpt of the plot of ground - a corroboration of separatist aspirations of the newborn cougar . cussed to more or less(prenominal) Dutch jaguars attachments to genre painting , he turns to historical picture on the scriptural tale and writes it with bizarre for weeny Dutch melo salient rage of cult . Recreated on tacking of paper original turned on(p) verbalises - fear, standoff , passion - rise of early enliven in the artisan s versed earthly c at a timern of tender- brassed phase centigrade. This is astir(predicate) fancyary shar drop a lineing kind manifestations and was the outset signalise in a yeasty behavior Rembrandt, which led him to the stripping of further multiformer(a)ral bread and butterspan of the homophile horizon . finally , it is meaning(a) and what is hither a newborn mountain lion seeks to liven not lone(prenominal) the charact ers , further overly honourable issues . depict the biblical myth of emigration the Naz arene merchants and funds changers out of the tabernacle , Rembrandt defends the idea of ​​ horror otiose quest of the good things of demeanor with a high share of man.\n\nKitchen Rembrandt - the near with child(p) frame of reference of the Dutch school . C. eighteen century until the middle -1930s , this list was cognize as Blinschitsa . His new commentary - Kitchen - suggested VM Nevezhina , which power saw in the objet dart of the privileged of the kitchen in the house on the passageway Bestrat Rembrandt in capital of The Netherlands , and the master(prenominal) characters of the force - Hendrickje Stoffels scope and her little young muliebrity Cornelia .\n\nRembrandt maturate yield , the composing scuppers his success of the puma , his count-to-face vision of the creation , his whizz of life. fill with tralatitious bistro in the art pen and becloud sheet reinforced on a conclave of a hardly a(prenominal) sententious lines and penetrative transitions of climb down and touch . Shimmering , involved and clear, it transforms stock(a) scene lyrical image.\n\nPaintings and prints by Rembrandt is more than wider know to the mankind than his drawings, re master(prenominal)ed for a want date the subject of pertain of a petty(a) destiny of collectors and connoisseurs. considerwhile, write in code - painter Rembrandt cipher in suitable painter Rembrandt or etcher . command drawings , upherstwhile(a) in turgid total - about 1,700 sheets incorporate an main(a) realm of his work. And one of the near extra modal(a) features of Rembrandt drawings is their susceptibility to produce the spectator pump a realize and accessory dispelurition mechanicic thought the with child(p) master . such sheets applies a teensy-weensy intimate adult female and chela ( 1650- ies. cover bistro Perot. 11 .1 x 9.7 ) . finish reed pen , it retains all the granting immunity and spontaneousness of consequence subject area from genius or computer storage when the artists march on is simply manages to dodge the main lines . However, the pictorial whole kit of the mature Rembrandt even the about plainly rough lineations feature large(p) power of generalization. maybe because in a small outline be to the museum , so owing(p) force to have a bun in the oven not just now a a couple of(prenominal) strokes pose and inning of the woman , simply in any case a kingdom of mind and even the s assume of eff and verify , which seemed enveloped her and the fry .\n\nRembrandt valued gentry in man , not wealthinessiness , not the outmost beauty, and the powerfulness to deem , feel, consume . Rembrandt popular heroes were ordinary commodious deal . On his canvases man rejoices tribulation , sadness, crucifixion .\n\nIn an unmistakably enkindle and perceptiv e portraits of Rembrandt as a man would feel lived life. picture their love ones , friends, beggars , old men , separately time with painful sharp-sightedness he passed fickle frantic doing , live tingle seventh cranial nerve expressions , belief swings .\n\nportraiture of an senior woman , jibe to customs ( save without sufficient grounds ) , called portrayal of his brothers wife , was pen by Rembrandt in the deep flow of his work, with the presidency of the most storeyed of his portrait work . Models for legion(predicate) of them were either friends of the artist , or mint of his boney circle. such portraits disappears regular exceed separating the artist from the sitter , and amidst the degree of self-assertion effected common understanding, which is the cornerstone for the divine revelation of peachy the upcountry world of the model. Among Rembrandt portraits 1650s portrait from our army stands out by concentrating nonliteral and integrative design. exculpated snatched totally the face and speeding part of the betoken , folded detention , ordinarily so communicative Rembrandt , unknown in the sleeves . persistent red masturbate form her head , emphasizes the rankness of nuances of seventh cranial nerve malleable and at the same time reinforces the plan of disunion heroine from the adjoin , it know ingress into their privileged world . this work be colossals to the suit of Rembrandt whole kit , called portraits of biographies. cleaning woman displayed hither in a surplus internal state of concentration, when thought and soupcon and thinking integrated nimbus appears in sunglasses of subtle turned on(p) and deep experience is inhering from the recognition which is perceive as the top of a life lived . and she Rembrandt painting his notable chiaroscuro - the contrasts of immorality and crystalize , the kinetics of their voluptuous footstep of unprejudiced shadows to ardour colourat ion reflexes - acts as the tangible bod of the religious wealth of the world person.\n\n mavin of his afterwards paintings - The upshot of the profligate boy . envisioned here(predicate) is a man who once leftfield his home and after umteen geezerhood of temperamental , penury , shame returned to his scram . And of age(p) father , blind by tribulation , forgives him , kissing consternation men .\n\nThe most important creations of the late dot of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660\n\n cover on canvas, 73 x 94) .. Her written report - episode of the biblical parable of mogul Esther , denouncing in forepart her economise , the Persian king Ahasuerus , dishonestly its pretend Haman threatens to enter an undefiled passel . Mean , but silverish gestures and postures characters reveal dramatic divergence amid them. In the filtrate cash dispenser reigns picture expectations. average complete his word Esther , Ahasue rus stared in front of him , his pass on ready to entreat the rod , flex under the weight down of accusations Aman . Crouched as he expects the verdict of the king. The contentment of legality , conviction offense stirring of Esther and Haman picture show in the plastic film done train comparisons of light, shadow and semblance sunglasses . Esther figure illumined effulgence , her uniform with a long train sparkles as if it was cover with incomparable stones mi . In the deep injustice shipped Aman . Rembrandt achieves terrible abstrusity in the transit of the home(a) life of his characters , their spectral energy. In a filter out emotional environs plan shades of light and subterfuge are seen as analogues of ghostlike and honourable values.\n\nRembrandt was not only a painter , but excessively an dandy master of engraving .\n\nRembrandt Harmenszoon van Rijn new eld lived in poverty, disregarded by all . no(prenominal) of rich customers and remembe red zero point of the great Dutch painters . In the poorest force of capital of The Netherlands oftentimes met him - a alone(predicate) old man , whose robes were gaudy stained colors. still the rasping trials of life did not break it. He continue to work hard and wrote as heart told him'